All the Women
(Todas las Mujeres)
Mariano Barosso / Spain / 2013 / 90 min

Goya Awards and Nominations
Best Screenplay, Best Supporting Actress, Best ActorDDC Awards
Best Actor, Best Spanish FilmMontreal Word Film Festival
Chicago Latino Film Festival
Malaga Film Festival
London Spanish Film Festival
Related Films
10,000 KM(10.000 KM)CARLOS MARQUES-MARCETSergi and Alex, a young couple in Barcelona, are ready to take their passionate affair to the next level when 10,000 kilometers suddenly come between ...
Magical Girl(Magical Girl)CARLOS VERMUTLuis (Luis Bermejo) is desperate to fulfill his terminally ill daughter’s last wish: to own the prohibitively expensive “Magical Girl Yukiko” dress ...
ÄRCTIC(ÄRTICO)Gabriel VelázquezJota and Simon are two “quinquis” aged 20 who wander carelessly out into the street every day to get by as they can with whatever comes up. But apart ...
In a Foreign Land(En Tierra Extraña)Icíar BollaínGloria is one of the 700,000 Spanish people who have left our country since the crisis started. The film portrays the experience of intra-European exile ...Synopsis
Spanish with English subtitles
With Eduard Fernández, Michelle Jenner, Nathalie Poza, Petra Martínez, María Morales, Marta Larralde, Lucía Quintana.
Spanish machismo is picked apart with surgical precision in Mariano Barroso’s engrossing All the Women, the most tightly-focused and emotionally penetrating film in a quietly formidable body of work from the director Mariano Barroso.
Winner of the Goya, Spain’s answer to the Oscar, for Best Adapted Screenplay, Barroso’s provocative takedown of Spanish machismo follows Nacho (Eduard Fernandez), a down and out veterinarian, who seeks advice from the most important women in his life –his lover, his ex-wife, his mother, his sister-in-law and his psychologist– after his scheme to steal five horses from his father-in-law falls apart. He soon finds his character indicted by each one of them.
About the Director
Press
“A scaled-back, sharp-eyed, Mamet-inspired deconstruction of the fragile psyches of Spanish and other males, anchored in Eduard Fernandez’s memorable central performance.” – Hollywood Reporter