Spanish with English subtitles

Three friends go hunting in a sun-scorched area pockmarked by Civil War trenches. The story explores the interaction among three friends who go hunting with 20-year-old Enrique in a dry, sun-scorched area pockmarked by rabbit holes and old Civil War trenches. As the day wears on and the heat intensifies, the three older men find it harder and harder to hold back the tensions among themselves. Their lives have taken different paths, and each man confronts the other in clashes that ultimately reproduce the fratricidal war for which this film is a resounding metaphor. Due to the political circumstances of the historical moment in which Saura made ​​his film, a moment that, through censorship, imposed the need to resort kind of a subterfuge or “underground” narrative mechanisms if they wanted to convey messages of a certain draft. It is likely that to a large extent, some of the keys of The Hunt can be found in the necessity imposed by the environment in which the author and his work moved.

About the Director
Carlos Saura was born in Huesca. He then moved to Madrid to continue his Industrial Engineering career. Was removed from film school for strictly political reasons. In 1959 he filmed Los Golfos (1962). In this film he tried to create a sort of Spanish Neo-Realism by tackling the juvenile delinquency in the Madrid’s poor quarters from a sociological point of view. Saura is a well accepted director both nationally and internationally, and in proof of it he won many awards: Silver Bear in the Berlin Festival for The Hunt (1966), Peppermint Frappè (1967). Special Jury award in Cannes for Cousin Angelica, and for Cría Cuervos. Also the film Mama turns 100 (1979) got an Oscar nomination in 1979 as the best foreign film, and it won the Special Jury award at the San Sebastian Festival. In 1990, he won two Goya award as best adapted screenplay writer and best director.