Santo Domingo Waltz
(Vals de Santo Domingo)
Tatiana Fernández Geara / Dominican Republic / 2021 / 76 min

Guadalajara Int'l Film Festival
Honorable Mention, Ibero-American Documentary FeatureDominican Film Festival in New York
Best DocumentaryIbero-Latin American Film Festival in Trieste
Nouvelles Vues Haiti Film Festival
Nouveaux Regards Film Festival
Festi’Danses
Best DocumentaryTrinidad & Tobago Int'l Film Festival
Santo Domingo Global Film Festival
Panama Int'l Film Festival
Pricing
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Spanish with English subtitles
With Raymundo Antonio Rodríguez Roa, Angel Emmanuel Pascual, Víctor Angel de Jesús Abad
An exploration of machismo culture through the eyes of three teen ballet students in the Dominican Republic. Raymundo, Angel, and Victor, the only boys in a class of twenty dancers, are determined to pursue their passion for ballet in a society where dance is predominantly seen as a female activity. By following their dreams, they challenge traditional gender roles and entrenched cultural norms.
The film, much like a waltz—a dance performed in triple time—takes us through the lives of these three boys as they navigate the streets of Santo Domingo. Along the way, they confront and occasionally conform to the pervasive machismo culture, exploring both prejudice in Dominican society and within themselves.
Santo Domingo Waltz undresses the deeply ingrained societal shortcomings, revealing how these have shaped behavior and thought for generations. Through the perspectives of these three young dancers, we gain insight into the broader thinking and actions of an entire society.
Related Subjects
About the Director
Press
“Tatiana Fernández Geara knows poetry. Her three protagonists move through their own worlds in a wild way, even wilder than Santo Domingo itself, and they all know how to find the best lyrics, smiles, and the most honest cheekiness one has ever seen on the big screen.” – Miguel D. Mena, Acento
“Tatiana Fernández Geara has found a way to touch the most sensitive nerves of this half-island.” – Hugo Pagan Soto, The Last Movie Guy
Notes on the Film
“Since I was a young girl, I’ve had trouble listening to phrases that start out with “Girls can’t…”
When I was 14, I spoke to the P.E. teacher about signing up for basketball practice. Back then, there was only one basketball team, and it was just for boys. Although my pink bedroom walls were decorated with Michael Jordan posters and I stayed after school at all their practices, I was never officially part of the team. In the eighth grade my afternoons were spent playing basketball with only boys or taking ballet lessons with only girls. I had been dancing since the first grade.
I spent most of my teenage years and adult life arguing with people – like my mother – about why others were allowed to do things I was not allowed to do just because I was a girl. I envied my brother’s freedom.
I ended up studying photojournalism, a career where women are in the minority, and eventually became a documentary filmmaker. After working on my first film “Nana”, one of the things that struck me the most was how the machismo culture had affected the lives of all the women in the documentary. And on the opening night, before going up to the microphone to say a few words to the audience, I asked my boyfriend at the time to please hold my purse. His response: “No. Give it to your mom. Men don’t hold purses.”
The machismo culture has permeated my entire life in the Dominican Republic. Seeing these three characters – 14 and 15 years old – dealing with the same kind of discrimination I dealt with when I was their age for being a girl, inspired me to explore their stories and learn how machismo culture is experienced from a boy’s point of view.”
– Tatiana Fernández Geara, Director