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Spanish with English subtitles

With Ramón Pereda, Virginia Zurí, Adriana Lamar

NEW RESTAURATION!- Considered the first Mexican horror film, La Llorona is a romantic melodrama with expressionist and supernatural elements based on the chilling tale of the ‘wailing woman’.

A ghost from Hispanic American folklore that originated in the pre-Hispanic world, she is the grieving soul of a woman who drowned her children. Repentant and cursed, she searches for them at night by rivers, towns, and cities, frightening those who see or hear her with her overwhelming cry. Her legend has a great diversity of versions.

The technical mastery it demonstrates is nothing less than admirable, and its attachment to Mexico’s folkloric tradition and history is an essential sign of its identity. The film was newly restored from a single 16 mm projection print in 2021 by The Permanencia Voluntaria Archives, in collaboration with Filmoteca UNAM, Academy Film Archive, and Cinema Preservation Alliance.

The story behind the filming and the legacy of this iconic film is explained in Behind the Scenes: La Llorona (also in Pragda´s collection), directed by Viviana García Besné. The great-granddaughter of La Llorona producer Jose Calderón, García Besné is the founder of The Permanencia Voluntaria Archives, whose main objective is to rescue, preserve, and restore Mexico’s popular cinematographic history.

About the Director
Ramón Peón was born on June 5, 1887, in Havana, Cuba. He started out as a cameraman at the old Kalem and Vitagraph studios in New York. In 1920 he was assistant director, in Hollywood, of two short comedies entitled Welcome Rotarians and The Latest from Parell. Later he decided to settle in his native country, where he became one of the most prolific filmmakers of Cuban silent cinema, filming twelve films between 1920 and 1930, the last of which was La Virgen de la Caridad.

Peón arrived in Mexico in 1931 as an assistant to Antonio Moreno in the film Santa, played by Lupita Tovar. In 1933 he made his debut with the megaphone in La Llorona and from there he became the most in-demand director of the nascent Mexican film industry. In 1937 he made La Madrina del Diablo, with which Jorge Negrete made his debut. After the success of the series El águila negra, starring Fernando Casanova, he dedicated the last years of his career to directing the Western genre.

Notes on Film

La Llorona was written by Carlos Noriega Hope and Fernando de Fuentes, based on a story by A. Guzmán Aguilera. After the premiere of La Llorona, Guillermo Calles was selected to direct the short film La Chillona, a parody of La Llorona.

The Permanencia Voluntaria Film Archive, where many copies of popular Mexican films were held, was heavily damaged in the massive earthquake that struck Mexico in 2017. The archive is housed between the Mexican town of Tepoztlán, the UCLA Film Archives, and the Academy Film Archive in Los Angeles – its genesis and survival have been far from easy.