The walls in the Brazilian city of Belo Horizonte are inundated with painted pictures and words, from stunning murals to old-school graffiti, and from enigmatic cries from the heart to furious cursing. Marcos Pimentel uses his mostly static camera to capture an impressive number of these public statements, painting a picture of the city as a canvas for artists, poets, and outraged citizens. Ranging from the ironic to the inflamed, the words and images of murals, tags, and posters give a voice to the voiceless.
In Skin, fragments of memory and silent screams reveal the desires, fears, fantasies, and daydreams of those who inhabit urban centers. The letters and drawings interact with the different bodies that move through the public space with cars driving past, buses stopping, and pedestrians hurrying along—some of them unaware of the artwork behind them, others quickly snapping a selfie.
