Quebrante Quebrante Quebrante Quebrante
  • Berlin Int'l Film Festival

  • Mostra de Cinema de Tiradentes

  • FICCI Cartagena de Indias Int'l Film Festival

  • Curta Cinema Rio de Janeiro Int'l Short Film Festival

  • Las Palmas de Gran Canaria Int'l Film Festival

  • DOXA Documentary Film Festival

  • Guanajuato Int'l Film Festival

  • São Paulo Int'l Short Film Festival

  • NeMaf Seoul Int'l New Media Festival

Pricing
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Portuguese with English subtitles

Quebrante, directed by Janaina Wagner, is a spell-breaking journey through the caves, ruins, and phantasmagorias of Brazil’s Trans-Amazonian BR-230 Highway. Set in Rurópolis, the first town built to house workers during the construction of the road, the film follows Ms. Erismar—known locally as “The Cave Woman.” A retired schoolteacher, she discovered and explored the region’s vast cave systems armed with nothing but a candle and a lighter tied to her waist.

At once personal and historical, the film intertwines Erismar’s story with the troubled legacy of the Trans-Amazonian Highway. Conceived as a monumental nationalist project under Brazil’s civic-military dictatorship (1964–1985), the road now stands as a haunting reminder of the fractured promises of progress and development.

Freely inspired by Robert Smithson’s The Truly Underground Cinema (1971) and Maya Deren’s The Very Eye of Night (1958), Quebrante is a meditation on landscape, memory, and the spectral forces embedded in stone. Blending documentary, experimental cinema, and critical reflection, it invites viewers and scholars alike to consider the intersections of ecology, politics, and myth in contemporary Brazilian cinema.

Press

“To my mind, the most striking feature of Quebrante is the way it combines the tools of contemporary documentary with more traditional techniques, harnessing the testimonial power of both images and sound.” – Pablo Gamba, Los Experimentos

About the Director

Janaina Wagner (São Paulo, 1989) is an artist and filmmaker who works across video, drawing and installations. Currently a Phd fellow at Le Fresnoy – Studio national des arts contemporains (FR), her work aims to provide a critical perspective on how humans establish systems of order and control in their surroundings. By appropriating historical narratives conveyed through diverse media forms, Wagner delves into how concepts of progress and legacy are expressed through a blend of stories, facts, images, and memories. In 2024, she directed the short film Quebrante.